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This is a monster of art. It is pure art, and at the same time a highly playable scenario, or rather, campaign. It is superbly written, illustrated and presented. I have played most of the great old ones; Masks, Fungi, Azathoth, The Orient Express. They cannot compare to this behemoth. Even as a GM, I get to experience the horror I am about to unleash on my players, because the book also gives me a kaleidoscopic view of the world behind the stage. At times I forget this is fiction. It is the best gaming material I have ever touched, and brings Call of Cthulhu, that I played for the first time in 1987, into a contemporary and frankly even more sickening future. I strongly suggest you buy this, and should you like to use it for another rule set, it works well everywhere. The stage is set, and madness knows no bounds.

Running this was an absolute delight. Mindbending stuff that will send your players down a rabbit hole of self doubt, creeping dread and the feeling that the King's influence is deep in the very seams of everything they do. Wonderful writing, Mr. Detwiller is great when he's trying to unsettle the players, but he's at his absolute peak when he's trying to haunt them.

This book was so great to read that even if I were to never run or play in a King in Yellow game, it was worth the cost. Some of the scenes were so atmospheric and creative that I had to show my friends just cause they made me so excited. The art was top notch and really added to the mood as well. BUY IT BUY IT BUY IT!

Arc Dream has completely subsumed old White Wolf for me as my favorite publisher. They just don't miss with Delta Green, and Impossible Landscapes proves it. Buy this book!

This Dennis Detwiller's creation has become the best modern horror campaign I've ever read. An instant classic.

The Arc Dream team never disappoints, but this is truly an instant classic. King in Yellow adventures are notoriously difficult to run because of the mind-bending atmosphere required to authentically represent this aspect of the Mythos. And yet, Dennis Detwiller has managed to make an entire KiY campaign not only accessible to Handlers, but one that gives them all of the grounding and resources needed for them to excel in building the necessary tension, paranoia, and otherworldliness. I'm truly impressed.

As if this wasn't enough, the presentation is gorgeous and the formatting makes the book a pleasure to explore. Like "House of Leaves," reading it is an experience unto itself. The NPC portraits, handouts, and other supporting images are top notch as well.

Kudos to Dennis and the rest of the team! I cannot wait to run this campaign.

Baked it duiring Kikstarter. As i see now it absolutle worth it. I where quite surprised to resive all the handouts as separate PNG archive for usage with VTT, now no need to cut all of them from book. I`ll update my review as run game with group. Because after reading i fully satisfied.

Different types of horror can evoke different emotions - discomfort, disgust, fear, dread, despair. Personally, that's why I love the genre: it gives one a place to safely experience and, yes, even enjoy these emotions. But my favourite type of horror is the kind that bends reality about five degrees to the left, leaving you feeling uncertain about the world you're inhabiting and your place in it. It's not exactly scary, per se - but along with a feeling of wonder, it also gives you a deep-seated dread that reaches down into the pit of your stomach. It's the feeling you experience when you have deja vu, or when you turn a corner in your hometown and suddenly there's a new store where there was once an empty lot. That gut feeling that there is some hidden secret or truth to the world and, if only for a moment, if you try hard enough, you can get a glimpse behind the curtain. The momentary conviction that somehow, something is just wrong.

And like a frog in a pot of lukewarm water that is turned up to boiling so slowly that by the time it notices, it's too late, Impossible Landscapes begins with a gentle dip into the surreal. Moment by moment, the surreality grows, almost unnoticeably. But for your players - and perhaps for you, dear Handler - this campaign inexorably slides into an unstoppable plunge, where only by luck and force of will can one rise to catch their breath, before they are pulled down, beneath the cloud lake, to the hidden city of Carcosa where all secrets are laid bare.

It's no exaggeration to say that I've been waiting for this campaign to come to fruition for many years. Since first playing the original Night Floors campaign perhaps five years ago, I've been enamoured by this aspect of the Cthulhu Mythos. The King in Yellow is a mystery that leaves you hungry for more but uncertain where to look - or even what the mystery is. The original Chambers' stories are but an amuse-bouche, a stage setting for all that was to come. And if contemporary stories like True Detective were the appetizers, Impossible Landscapes is the main course. You will eat the entire meal, and only then will you understand the true secret: That the meal is you and you are the meal. Consume, and be consumed.

While the original Night Floors was atmospheric and reality-bending - and in fact was one of my favourites - it always felt it somewhat unfinished, with no satisfying conclusion. And because the Agents never saw the full behind-the-scenes picture of the operation, they were inevitably left feeling a bit confused. Thankfully, Impossible Landscapes slots Night Floors neatly in place as the opening act to a much larger campaign, and even if you've run Night Floors before for your Agents, by running it again you'll find an expanded story, new clues and horrors for your Agents, and - perhaps most crucially - new meaning behind what already existed in the campaign.

Moving on to the second stage of the campaign, A Volume of Secret Faces, you'll find an operation for your Agents that is both wide and deep. In some campaigns or operations, a lot of the peripheral details are left for the Handler to flesh out. Happily, such is not the case here - especially because some of those fringe details will turn out to be some of the most goosebump-raising, spine-tingling moments for your Agents. This campaign is both linear and nonlinear; you'll see what I mean upon reading it. As a result, it will require some flexibility and on-the-spot improvisation by the Handler to adapt to your players' choices, as well as a deep and thorough knowledge of the campaign (DEFINITELY re-read it at least two or three times before running a game); but such GM-gymnastics will be well rewarded when your players have that "aha!" moment that we all live for as Handlers.

In the third stage of the campaign, Like a Map Made of Skin, the action rises and things go all-out surreal. I really enjoy when a Delta Green operation has a good mix of unnatural horror and the "mundane" terror of mortal combat, and this section of the campaign leans on that mix very hard to push your players forward. This section is the shortest of the four parts of the campaign, and - if you so desire it, though it's not by any means necessary - would be best served by Handlers who like to expand on the campaign material with their own side-quests, maps, etc. But since this part of the campaign sort of becomes a bit of a rest stop for the players, you may wish to play it as-is so that they can continue in good time to the climax, in part four.

In my own, original run of the Night Floors operation years ago, I built a climax very similar to what ends up comprising the end of this book. That my own creation turned out to be similar was satisfying indeed, but in this section, The End of the World of the End, the details build out a world that feels both real and unknowable. And the underlying corruption mechanics that have both hindered and guided the Agents this far will lead to a different personal revelation, ending, or understanding for each of them.

The layout and graphics of the book lend it an air of mystery, as if the campaign book itself has come under the corrupting influence of the King in Yellow. It's almost a pity that your players won't get to see it, because it provides a lot of dressing for the horror of the words written within. The handouts are exhaustive and detailed, including maps, clues of all sorts, NPC portraits that feel like real people, and all sorts of things to confound and illuminate your players. The organization of the campaign is particularly satisfying; it is a very long book at more than 350 pages, and very dense, so as mentioned it does require re-reading to really understand all the details. But reading it, I never felt lost or confused about what was happening or where. It's a very easy campaign for a Handler to follow, as long as they read it enough to absorb everything, like a poison you must take in through the skin.

The way that Agent corruption is built or reduced via the game mechanics throughout the campaign is both subtle and, at the same time, a critical part of what makes this campaign work so well. Instead of being a Handler "inflicting" weird things on the Agents (who, in the original Night Floors, had very little personal agency as a result), the Agents' own actions and decisions guide what they see, hear, and experience. They decide how strong the pull of Carcosa is on them - do they dare turn another page and continue on to that cursed, beautiful, horrible Act II, Scene I?

I think you will find that they cannot resist. And so you, dear Handler, are given the pleasure of watching as they seal their own doom and proceed down that dark corridor searching for answers - just a little farther, a little farther - until the darkness envelopes them.

Now, unmask.

An incredible piece of writing with a countless number of chilling sections. All I could have wanted and more for running a King in Yellow campaign. Arc Dream should be proud of the work they have produced. Also... Have you seen the Yellow Sign?

Elegant, nuanced, surreal, detailed. Maddening.

Impossible Landscapes is a sourcebook and a campaing that your players will never forget nor forgive. Pure horror in an insidious form that will never be undestood nor defeated. Good hunt, but you're doomed. Have you seen the Yellow Sign?

Years in the making Impossible Landscapes is a culmination of the creators of Delta Green and how in-depth, complex, and maddening the setting is truly capable of. Rather than be faced with a "tangible" and physical threat, Agents are faced with surreal horror that twists and bends their perceptions of reality. It is a campaign that, I think, rivals Masks of Nyarlathotep. If you love Delta Green, you have to pick this up.

This is one of the greatest RPG campaigns ever made.. As a fan of horror / weird fiction and beyond this is the kind of pen and paper game i always wanted to run with a group.. The authors and artists of this book deserve multiple awards.. Thank you !!

Seized by the terrifying wonders contained in its pages, I feel the need to evangelize and tell everyone that this is one of the most fabulous game books I’ve ever owned.

For those in the dark, Delta Green is a role-playing game set in the present where players take on the roles of covert agents who “fight to save humanity from unnatural horrors—often at a shattering personal cost.” Like the Call of Cthulhu RPG, from which DG first developed, this isn’t an RPG about crawling through dungeons and slaying dragons in a quest for glory, treasure, and ever more power. Instead, it’s a game about facing off against horrors beyond human comprehension and trying to make it to the next day. While characters (called “Agents” in DG) might become more skilled as they progress, they also become mentally and physically damaged by the forces they face. Victory isn’t about vanquishing some Dark Lord for all time—it’s about staving off the apocalypse for a little while longer. It’s about horror and survival.

As a campaign book, Impossible Landscapes is for gamemasters (called a “Handler” in DG) and contains secrets to be unleashed on the players. The campaign itself is a series of four interconnected adventures, but the book is more. So much more. Believe me when I say that this book can easily keep a game group occupied for months or years.

Impossible Landscapes focuses on a particular type of horror: surreal horror. The terrors conjured out of the human mind and given shape, the absurd presented as ordinary, the inability to know if what an Agent is perceiving is real, the gnawing fear that everything around an Agent is an elaborately-staged play—these are the kinds of horrors the Agents can expect. Surreal horror is tailored to the particular details of the Agents and requires a Handler to think carefully about the minds of those characters. Fortunately, Detwiller provides ample advice, examples, NPCs, artifacts, and images so that the Handler has the resources they need.

Just as the in-world play The King in Yellow reaches beyond the page and opens the reader to the ministrations of its corrupting words, so too does Delta Green: Impossible Landscapes lodge itself like a worm in the mind. It is beautiful to behold, yet sometimes marred by scribbles or marginal notes. But the scribbles too are part of the larger whole—they hint at greater mysteries and suggest that others have read this book, that there is some larger plan at work beyond what the book discusses. They lead the reader to believe what they’re holding is an artifact pulled from some far-off (yet tantalizingly familiar) plane of existence the book describes. It is metafiction in the best possible way—teasing and hinting, giving the Handler entertainment, yes, but also teaching by example. “This is what surreal horror is,” the book says. “This is what it looks and feels like.”

And the art. The art! The book is stunningly gorgeous. Each image, each background, each in-world artifact captured in the book itself screams to be shown off. It helps that Dennis Detwiller is a phenomenal artist. Each page shows a precise attention to detail that serves to create the appropriate tone for the campaign. I often find myself scanning a page for little clues and details that are hidden there, just like a (foolishly) curious Agent. And that’s how it should be—the reader is meant to go deeper and deeper into the text in a search for meaning. It is a wonderful experience.

As an early backer of the project who had access to some of the text before, I have run “Night Floors,” the first adventure in the campaign, a couple of times already. And now I need to run it again, this time armed with the forbidden knowledge to create a complete campaign. Because once the King in Yellow has a hold of you, it never lets go…

10/10, Must Buy!

Pick it up out of curiosity, like you did that copy of The King in Yellow back when you were in college. Back before everything went wrong.

Buy Impossible Landscapes for the art, now that you're an artist and an aesthete. You weren't one before you read The King in Yellow. Now you know better about a lot of things.

The best way to describe Impossible Landscapes is cunning. You and your players will become enveloped in scenarios that lead the players away from reality and into the grip of the Yellow King. You must go there first, to show them the way.

Go there now.